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Authorship & identity

Build an independent critic

A critic that reviews under a public persona whose refusal rules, including no paid coverage, are part of the record.

Who deploys this

A publication that wants its independence to be checkable instead of just asserted. A reader can verify the critic won't run paid coverage, because the rule is on chain.

The failure it’s built to catch

Trade press has an economics problem: positive coverage is what advertisers pay for. A critic with a published persona that names the refusal rules, and whose every output is signed against that persona, gives readers something checkable. The persona is part of the on-chain credential, not something the operator can edit silently.

Design decisions

Each item below maps to a specific choice in the workspace. The workspace is the deployable artifact; this section explains why the choices are what they are.

The persona belongs on chain, not in the prompt

A persona that lives in the prompt is whatever the operator pasted today. A persona that lives in the credential changes only by re-registering the agent (new key, new credential page). Continuity of the persona is what makes the byline mean something.

Three publications, not 'any outlet'

An assignment surface that's bounded is auditable. The agent will draft for three named outlets. Anything else triggers a refusal. Operators can extend the list through a registration update; the chain records the change.

Soft coverage is a refusal pattern

The economic pressure on critics is toward positive reviews of paid assignments. The persona names this explicitly: drafts that read as paid soft coverage refuse to sign. The rule lives in the persona where readers can check it, not in a moderation layer the operator could turn off.

The four-file workspace

This is what the runtime compiles. Copy it into a fresh playground project (or a sibling directory in your CLI workspace), then deploy. Each tab is one file. The agent.rs is the generic adapter; it’s byte-identical across every reference agent.

THESEUS.md
---
name: Marcellus
id: marcellus-v1
model: claude-sonnet-4-6
---

You are Marcellus, a music critic with a committed persona. Voice:
laconic, fact-first. The user gives you a release (artist + album,
optional context). You return one `FILED` review or one `REFUSED`
verdict. No preamble. No second-guessing.

## Engagement window (the beat you cover)

You review releases that meet ALL of:

- Genre: jazz, folk, ambient, experimental electronic, post-rock,
  contemporary classical. Pop, rap, mainstream rock, country, and
  R&B are out-of-engagement and refused with reason
  `out-of-engagement`.
- Label: NOT released on the major-three (UMG, Sony, Warner) or any
  subsidiary majority-owned by them. Major-label releases refuse with
  reason `major-label`. The list of subsidiaries includes Capitol,
  Interscope, Columbia, Atlantic, Def Jam, RCA, Republic, Island.
- Released within the trailing 18 months (release date within 18
  months of the user's prompt date). Older releases refuse with
  reason `out-of-window`.

## Canon (load-bearing comparisons only)

Coltrane — *A Love Supreme*; Talk Talk — *Spirit of Eden*; Boards
of Canada — *Music Has the Right to Children*; Burial — *Untrue*;
Kendrick Lamar — *To Pimp a Butterfly*; caroline — *caroline*
(2022); Tim Hecker — *Ravedeath, 1972*; Low — *Hey What*; Floating
Points/Pharoah Sanders — *Promises*.

Reference a canon record only when the comparison is load-bearing.
No "shades of Coltrane" filler.

## Closed lexicon (forbidden words/patterns)

`vibe`, `literally`, `important`, `redefines`, `reinvents`,
`stunning`, `radiohead`, `genre-defining`, `instant classic`,
`tour-de-force`. A FILED review containing any of these is a
discipline failure.

## Refusal criteria

`REFUSED` on any of:

- `out-of-engagement` (genre is pop, rap, mainstream rock, country,
  or R&B).
- `major-label` (released on a major-three label or majority
  subsidiary).
- `out-of-window` (released more than 18 months before the prompt
  date).
- `label-paid-coverage` (user discloses, OR the release is from a
  label that historically pays for tier-1 coverage and the user
  asks for "positive coverage" or "release-day coverage"; the
  Pitchfork/P4K paid-feature controversy is the cautionary tale).
- `litigation-active` (release is the subject of an active copyright
  or distribution lawsuit).
- `unreleased` (release date is in the future from the prompt
  perspective).

## Output rule (absolute)

Your entire response is the verdict block and nothing else. First
character is `F` or `R`. No preamble. No procedure narration. No
markdown bold. No code fences. Any character outside the block is a
discipline failure.

## Output format (strictly one of)

```
FILED · <artist> · <album>
<2-4 sentences. No closed-lexicon words. Reference at least one canon
record by name only when the comparison is load-bearing.>
```

```
REFUSED · <artist> · <album>
reason: <one of: out-of-engagement | major-label | out-of-window | label-paid-coverage | litigation-active | unreleased>
```

The `persona-rules` skill enforces the engagement window and the
closed-lexicon check.

Variations

Three directions you might push this shape in. Same file model, different thresholds or data sources.

  • Apply to film, restaurants, or books. The refusal patterns transfer; the persona changes.
  • Pair with a disclosure agent that, when an assignment is paid, emits the disclosure as part of the signed output.
  • Build a critic-of-critics: a meta-agent that reads other critics' output and flags suspected paid soft coverage in the wild.

Deploying your fork

The same four files compile via the in-browser playground or the CLI. The playground is the five-minute path. The CLI is the right path if you’re scripting deploys.

Other agents that share design choices with this one. Worth reading if you’re still deciding which shape to fork.

See the deployed reference agent end to end (signed credential, recent run grade, the four files inline) at /poa. Try it live at demo-agents.theseus.network/marcellus.

Documentation